Peale, Raphaelle

American Painter, 1774-1825 Painter, son of Charles Willson Peale. His mother was Rachel Brewer Peale. He studied painting with his father and assisted him in the museum. Raphaelle began to paint portraits professionally in 1794, but poor patronage in Philadelphia forced him to travel in the South and New England, taking silhouettes with the physiognotrace and painting portraits in oil and miniature. From about 1815 onwards, bouts of alcoholism and gout inhibited his progress. He turned to painting still-lifes, but these sold for small amounts.


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Peale, Raphaelle Melons and Morning Glories oil


Melons and Morning Glories
Painting ID::  19805
Melons and Morning Glories
1813 Oil on canvas Smithsonian American Art Museum, Washington D.C.
   
   
     

Peale, Raphaelle Bowl of Peaches oil


Bowl of Peaches
Painting ID::  19806
Bowl of Peaches
1816 Oil on board New Britain Museum of American Art, New Britain, CT.
   
   
     

Peale, Raphaelle Still Life: Strawberries Nuts oil


Still Life: Strawberries Nuts
Painting ID::  19807
Still Life: Strawberries Nuts
1822 Oil on panel Art Institute of Chicago.
1822 Oil_on_panel Art_Institute_of_Chicago.
   
   
     

Peale, Raphaelle Lemons and Sugar oil


Lemons and Sugar
Painting ID::  19808
Lemons and Sugar
1822 Oil on wood Reading Public Museum and Art Gallery, Reading, PA.
   
   
     

Peale, Raphaelle Venus Rising from the Sea-A Deception oil


Venus Rising from the Sea-A Deception
Painting ID::  31986
Venus Rising from the Sea-A Deception
mk77 Oil on canvas 29 1/4x24 1/8in
mk77 Oil_on_canvas 29_1/4x24_1/8in
   
   
     

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     Peale, Raphaelle
     American Painter, 1774-1825 Painter, son of Charles Willson Peale. His mother was Rachel Brewer Peale. He studied painting with his father and assisted him in the museum. Raphaelle began to paint portraits professionally in 1794, but poor patronage in Philadelphia forced him to travel in the South and New England, taking silhouettes with the physiognotrace and painting portraits in oil and miniature. From about 1815 onwards, bouts of alcoholism and gout inhibited his progress. He turned to painting still-lifes, but these sold for small amounts.

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